As architecture grapples with its own racist legacy, Hip-Hop Architecture outlines a powerful new manifesto-the voice of the underrepresented, marginalized, and voiceless within the discipline. In part two of this episode, we discuss Sekou’s now finished exhibit at the MoMA, how the transformation of public spaces has been used to displace marginalized communities, architecture’s response to social justice movements like Black Lives Matter, Sekou’s ultimate “desert island” hip-hop track, and much more.
